OPEN ACCESS STATEMENT

Art Inquiry is an open-access, peer-reviewed academic journal. 

From 2024 all work published under CC BY 4.0 (Attribution 4.0 International) Creative Commons License.

Previous years: published under CC BY-NC-ND 4.0 (Attribution-NonCommercial-NoDerivatives 4.0 International) Creative Commons License

 

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Author transfers to the Publisher the copyright of the Article. As a result, the Publisher shall have the exclusive and unlimited right to publish the Article throughout the World in all media for all applicable terms of copyright and sublicense the Article in any form including electronic, effective upon acceptance for publication.

Author retains the right to use the Article in their professional work and for teaching purposes. Author(s) may contribute the Publisher’s final version of the Article to institutional repositories under CC BY 4.0 (Attribution 4.0 International) Creative Commons License.

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POLISH GOVERNMENT FINANCIAL SUPPORT

The journal is financed by the Ministry of Education and Science within the ‘Development of Scientific Journals’ programme under agreement no. RCN/SN/0115/2021/1 of 6 December 2022. Project duration: 31 October 2022 – 31 October 2024. The grant amount is 40 000,00 PLN. The programme aims to support editorial staff in the implementation of the journal’s development strategy.

 

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Announcements

Uroczysta promocja XXV numeru „Art Inquiry” - 21 maja 2024

2024-07-01

Z przyjemnością informujemy, że 21 maja 2024  r. w Teatrze im. Stanisława Ignacego Witkiewicza im. ul. Chramcówki 15 w Zakopanem odbyła się  uroczysta promocja ostatniego numeru „Art Inquiry”  - Vol. 25 (2023): How do artists think? Wydarzenie zorganizowała Pani Profesor Teresa Pękala z Uniwersytetu Marii Curie-Skłodowskiej w Lublinie - redaktor ostatniego tomu, jako wydarzenie towarzyszące cyklicznej ogólnopolskiej konferencji filozoficznej „Parergon jako metafora współczesnego świata. Filozofia, estetyka, sztuka”.

Read more about Uroczysta promocja XXV numeru „Art Inquiry” - 21 maja 2024

Current Issue

Vol. 26 (2024): Art and culture in times of danger
View Vol. 26 (2024): Art and culture in times of danger

Co-financed by the Ministry of Education and Science, Republic of Poland.

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VOLUME EDITORS: Aneta Pawłowska, Paulina Sztabińska-Kałowska

Published: 2024-12-29

Full Issue

Articles

  • On the role of art in overcoming cognitive obstacles from the perspective of philosophical esthetics

    DOI: https://doi.org/10.26485/AI/2024/26/1
    Teresa Pękala
    11-28

  • Sensory art

    DOI: https://doi.org/10.26485/AI/2024/26/2
    Sidey Myoo
    29-42

  • Artificial intelligence and concerns about ‘true’ art. Remarks on why human art is overrated and AI-made art. unjustifiably undervalued

    DOI: https://doi.org/10.26485/AI/2024/26/3
    Łukasz Białkowski
    43-59

  • Readymade: a problem for the definition of art. and its solution

    DOI: https://doi.org/10.26485/AI/2024/26/4
    Łukasz Guzek
    61-82

  • Difficult knowledge as an exhibition theme in small museums: case examples from the Czech Republic

    DOI: https://doi.org/10.26485/AI/2024/26/5
    Pavol Tišliar, Lucie Jagošová
    83-109

  • Art in post-catastrophic geography. "Don't follow the wind project in Fukushima"

    DOI: https://doi.org/10.26485/AI/2024/26/6
    Ewa Wójtowicz
    111-122

  • The role of Cluniac art and architecture in times of danger

    DOI: https://doi.org/10.26485/AI/2024/26/7
    Piotr Gryglewski, Natalie Moreno-Kamińska
    123-139

  • Architecture in times of climate crisis – selected aspects

    DOI: https://doi.org/10.26485/AI/2024/26/8
    Julia Sowińska-Heim
    141-158

  • Sculptor or engineer? The idea of the "total work of art" as a form of freedom of mind in the face of danger. Comparative analysis of selected examples

    DOI: https://doi.org/10.26485/AI/2024/26/9
    Katarzyna Kołodziejczyk
    159-175

  • Issues of totalitarian period monuments in the context of the Russian-Ukrainian war

    DOI: https://doi.org/10.26485/AI/2024/26/10
    Yuliа Ivashko, Andrii Dmytrenko, Michał Krupa, Justyna Kobylarczyk, Dominika Kuśnierz-Krupa, Serhii Belinskyi
    177-199

  • Recent Polish and Ukrainian dramaturgy in the face of modern world crises

    DOI: https://doi.org/10.26485/AI/2024/26/11
    Irena Górska
    201-216

  • The art of peace – can artists stop the war between Israel and Palestine?

    DOI: https://doi.org/10.26485/AI/2024/26/12
    Eleonora Jedlińska
    217-238

  • Earthquakes and colonial art in Cusco (Peru)

    DOI: https://doi.org/10.26485/AI/2024/26/13
    Ewa Kubiak, Guadalupe Romero-Sánchez
    239-258

  • Jane Jin Kaisen’s works as the practice of exploring history, memory and trauma

    DOI: https://doi.org/10.26485/AI/2024/26/14
    Anna Dzierżyc-Horniak
    259-285

  • Indigenous festival arts and (dis)connect with contemporary socio-cultural realities in Southeastern Nigeria

    DOI: https://doi.org/10.26485/AI/2024/26/15
    Princewill Chukwuma Abakporo, Stanley Timeyin Ohenhen
    287-310

  • Dramaturgy of anxiety in the theater work “Pintu Dan Ketukan Ketukan Yang Mengganggu” (The Door and the Disturbing Knocks)

    DOI: https://doi.org/10.26485/AI/2024/26/16
    Yusril, Sahrul N., Afrizal H., Ali Sukri, Cameron Malik
    311-327

  • Expressing death between realism and surrealism in Bruegel's painting “Triumph of Death”

    DOI: https://doi.org/10.26485/AI/2024/26/17
    Ryadh Ben Amor, Dany Abi Karam
    329-349

  • A threat of exclusion – negative aesthetics on the example of Zyta Rudzka's work

    DOI: https://doi.org/10.26485/AI/2024/26/18
    Monika Błaszczak
    351-369

  • Art in the shadow of the gallows. Visual accounts of the execution of Teofil Wiśniowski and Józef Kapuściński

    DOI: https://doi.org/10.26485/AI/2024/26/19
    Agnieszka Świętosławska
    371-401

  • Felix Nussbaum's Triumph of Death as a powerful voice of dissent against wartime

    DOI: https://doi.org/10.26485/AI/2024/26/20
    Magdalena Milerowska
    403-419

  • The language of art in times of danger

    DOI: https://doi.org/10.26485/AI/2024/26/21
    Anna Wendorff
    421-433

  • Facing the irreversible. Three philosophical études

    DOI: https://doi.org/10.26485/AI/2024/26/22
    Anna Chęćka
    435-448
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