Wystawa Art of the Americas – nowe spojrzenie. co to znaczy zdekolonizować muzeum?
DOI:
https://doi.org/10.26485/AI/2022/24/11Słowa kluczowe:
dziedzictwo; kolonializm; dekolonizacja muzeów; dekolonizacja uniwersytetów; dekolonizacja wiedzy; kuratorstwo refleksyjneAbstrakt
Wystawa Art of the Americas (marzec - lipiec 2018) w Max Chambers Library, University of Central Oklahoma (UCO), USA, zakwestionowała praktyki przypisywania dóbr kultury do różnych dyscyplin akademickich i prezentowania ich w oddzielnych muzeach Ekspozycja ta zgromadziła wspólnie różnorodne obiekty kultury z Ameryki Północnej, Środkowej i Południowej. Wykorzystując niniejszą wystawę jako kamień milowy ale też i soczewkę, artykuł otwiera szerszą dyskusję na temat dekolonizacji muzeów, rzucających wyzwanie systemowi konstruowania wiedzy w instytucjach akademickich. Po pierwsze, Shikoh Shiraiwa – kurator, ponownie odwiedza wystawę Art of the Americas, aby raz jeszcze zbadać swoje motywy i propozycje. Po drugie, Olga Zabalueva zastanawia się nad teoretycznymi implikacjami i znaczeniem ciągłej ponownej oceny wysiłków dekolonialnych. Po trzecie, autorzy wspólnie badają w jaki sposób niektóre dyscypliny akademickie ukonstytuowały zakorzenione hierarchie rasowe. W rezultacie dalej rozwijając wątek kwestionowania zinstytucjonalizowanego działania, dążą do kulturowej i społecznie zrównoważonej praktyki muzealnej w przyszłości
Bibliografia
Abu-Lughod, Lila. (2008) Writing Against Culture. in: T. Oakes, P. L. Price, eds., The Cultural Geography Reader, London: Routledge, pp. 466-479.
Ames, Michael. (1991) Biculturalism in Exhibitions. “Museum Anthropology”, vol. 15, no. 2, pp. 7-15.
Anderson, Benedict. (2006) Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso.
Atalay, Sonya. (2008) Multivocality and Indigenous Archaeologies. in: C. Fawcett, J. Habu, J. M. Matsunaga, eds., Evaluating Multiple Narratives: Beyond Nationalist, Colonialist, Imperialist Archaeologies, New York: Springer Science and Business Media, pp. 29-44.
Azoulay, Ariella. Aïsha. (2019) Potential History: Unlearning Imperialism. London: Verso.
Baker, Lee. D. (2010) Anthropology and the Racial Politics of Culture. Duke University Press.
Bal, Mike. (1996) Double Exposures: The Subject of Cultural Analysis. New York: Routledge.
Bennett, Tony. (1995) The Birth of the Museum: History, Theory, Politics. London: Routledge.
Bhambra, Gurminder K., Dalia Gebrial, Kerem Nişancıoğlu. (2018) Decolonising the University. London: Pluto Press.
Blakey, Michael L. (2008) An Ethical Epistemology of Publicly Engaged Biocultural Research. in: C. Fawcett, J. Habu, J. M. Matsunaga, eds., Evaluating Multiple Narratives: Beyond Nationalist, Colonialist, Imperialist Archaeologies, New York: Springer Science and Business Media, pp. 17-28.
Brameld, Theodore. (1950) Patterns of Educational Philosophy: A Democratic Interpretation. New York: World Book Company.
Browning, Frank. New Paris Art Museum Finds Many Critics. “NPR”. August 13, 2006. September 30 2017. http://www.npr.org/templates/story/story.php?storyId=5640888 (accessed: 30.07.2022)
Butler, Shelley Ruth. (2015) Reflexive Museology: Lost and Found. [in:] A. Witcomb, K. Message, eds., The International Handbooks of Museum Studies: Museum Theory, John Wiley & Sons, pp. 159-182.
Cairns, Puawai. (2018) Decolonisation: We Aren’t Going to Save You. Center for the Future of Museums blog. “American Alliance of Museums”. December 17, 2018, https://www.aam-us.or-g/2018/12/17/decolonisation-we-arent-going-to-save-you/, (accessed: 30.07.2022)
Coleman, Simon, Mike Crang. (2002) Grounded Tourists, Travelling Theory Tourism: Between Place and Performance. New York: Berghahn Books.
Curtis, Neil. G. W. (2006) Universal Museums, Museum Objects and Repatriation: The Tangled Stories of Things. “Museum Management and Curatorship”, vol. 21, no. 2, pp. 117-127.
Davies, Charlotte Aull. (1999) Reflexive Ethnography: A Guide to Researching Selves and Others. London: Routledge.
Douzinas, Costas. (2019) The Radical Philosophy of Rights, Routledge.
Eriksen, Thomas Hylland. (2010) Ethnicity and Nationalism: Anthropological Perspectives. London: Pluto Press.
Fong, Wen. C. (2003) Why Chinese Painting is History. “The Art Bulletin”, vol. 85, no. 2, pp. 258-280.
Grosfoguel, Ramón. (2011) Decolonizing Post-colonial Studies and Paradigms of Political-economy: Transmodernity, Decolonial Thinking, and Global Coloniality. “Transmodernity: Journal of Cultural Production of the Luso-Hispanic World”, vol. 1, no.1, pp. 1-38.
Haraway, Donna. (1988) Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective. “Feminist Studies”, vol. 14, no. 3, pp. 575-599.
Henning, Michelle. (2006) Museums, Media and Cultural Theory. UK: Open University Press.
Hill, Tom, Richard W. Hill. (1994) Creation’s Journey: Native American Identity and Belief. Smith-sonian Institution Press.
Janes, Robert R., Richard Sandell. (2019) Museum Activism. New York: Routledge.
Kaifu, Yosuke. (2016) Where Did We Come From? Japan: Bungei Syunsyu.
Katoh, Yoshio. (2010) Distance and Perspective Between Art and Craft – Contemporary Art and Metal Craftsman Yoo Lizzy. “Nabizang”, pp. 116-32.
Kincheloe, Joe. I. (2003) Says who? Who Decides What is Art? “Counterpoints”, 212 (Art, Cultureand Education: Artful Teaching in a Fractured Landscape), pp. 49-104.
Kirshenblatt-Gimblett. Barbara. (2006) Reconfiguring Museums: An Afterword. in: C. Greweed., Die Schau des Fremden. Ausstellungsdonzepte zwischen Kunst, Kommerz und Wissenschaft. Franz Steiner Verlag, pp. 361–376.
Loeb, Avi. (2020) The Dangers of Intellectual Territorialism. “Scientific American”. August 31, 2020, https://www.scientificamerican.com/article/the-dangers-of-intellectual-territorialism/ (accessed: 30.07.2022)
Lonetree, Amy. (2012) Decolonizing Museums: Representing Native America in National and Tribal Museums. University of North Carolina Press.
Lynch, Bernadette. (2014) “Whose Cake is it Anyway?”: Museums, Civil Society and the Changing Reality of Public Engagement. [in:] L. Gouriévidis, ed., Museums and Migration: History, Memory, Politics. New York: Routledge, pp. 67-80.
Mairesse, François, André Desvallées. (2010) Key Concepts of Museology. Armand Colin.
Mbembe, Achille, Alexandra Bounia. (2020) Session 1: Question of the Archive. Online Seminar. Decolonizing as a Verb: Reinterpreting Collections and Collecting. South African Museum Asso-ciation. November 25, 2020. ICOM-International Committee for Collecting, and ICOM-South Africa.
Mignolo, Walter D. (2007) Delinking: The Rhetoric of Modernity, the Logic of Coloniality and the Grammar of Decoloniality. “Cultural Studies” vol. 21, no. 2, pp. 449-514.
Murrell, Denise. (2008) African Influences in Modern Art. “The Metropolitan Museum of Art”, https://www.metmuseum.org/toah/hd/aima/hd_aima.html(accessed: 30.07.2022)
Museums, Power, Knowledge: Selected Essays (2018) London: Routledge.
Nishitani, Osamu. (2006) “Anthropos and Humanitas: Two Western Concepts of ‘Human Being.” [in:] N. Sakai, J. Solomon, eds., Translation, Biopolitics, Colonial Difference. Hong Kong: Hong Kong University Press, pp. 259-273.
Oyi Sun. (2014) The Racism Discussion with Oprah & Jane Elliot part 2. YouTube video, 8:41, March 31, 2014. https://www.youtube.com/watch?v=HZkIGASPrzM. (accessed: 30.07.2022)
Pac, Teresa. (2022) Common Culture and the Ideology of Differences in Medieval and Contemporary Poland. New York: Lexington Books.
Painter, Nell I. (2010) The History of White People. W. W. Norton and Company.
Park, Peter K. J. (2014) Africa, Asia, and the History of Philosophy: Racism in the Formation of the Philosophical Canon, 1780–1830. SUNY Press.
Peters, Michael A. (2015) Why is My Curriculum White? “Educational Philosophy and Theory”, vol. 47, no. 7, pp. 641-46.
Seki, Yoshinori. (2020) The Paradoxes of Human Rights and the Rights of Challenging the Human Rights: Studies of Costas Douzinas. “Hitotsubashi Law Studies”, vol. 19, no. 1, pp. 63-81.
Shiraiwa, Shikoh. (2018) Art of the Americas: Art Exhibition to Rethink Cultural Diversity and Equality. Unpublished manuscript, typescript.
Shiraiwa, Shikoh, and Olga Zabalueva (2021). Museological Myths of Decolonization and Neutrality. [in:] Y. Bergeron, M. Rivet, eds., The Decolonisation of Museology: Museums, Mixing, and Myths of Origin, ICOFOM, pp. 203-207.
Smeds, Kerstin. (2012) On the Meaning of Exhibitions - Exhibition Epistèmes in a Historical Perspective. “Designs for Learning”, vol. 5, no. 1-2, pp. 50-72.
Smith, Laurajane. (2006) Uses of Heritage. London: Routledge.
Sullivan, Nikki and Craig Middleton. (2020) Queering the Museum. New York: Routledge.
“The Tourist Gaze ‘Revisited’.” (1992) “American Behavioral Scientist”, vol. 36, no. 2, pp. 172-186.
Tlostanova, Madina. (2017) Postcolonialism and Postsocialism in Fiction and Art: Resistance and Reexistence. Palgrave Macmillan.
Tlostanova, Madina, Walter Mignolo. (2020) On Other Possibilities for Philosophy and Humanity. “East East”, https://easteast.world/en/posts/84 (accessed: 30.07.2022).
Trigger, Bruce G. (1984). Alternative Archaeologies: Nationalist, Colonialist, Imperialist. Man, “New Series”, vol. 19, no. 3, pp. 355-370.
Urry, John. (1990) The Tourist Gaze: Leisure and Travel in Contemporary Societies. Sage Publication.
Vawda, Shahid. (2019) Museums and the Epistemology of Injustice: From Colonialism to Decoloniality. “Museum International”, vol. 71, no. 1-2, pp. 72-79.
Wallerstein, Immanuel. (2011) The Modern World-system I: Capitalist Agriculture and the Origins of the European World-economy in the Sixteenth Century. University of California Press.
White, William and Catherine Draycott. (2020) Why the Whiteness of Archaeology is a Problem. July 7, 2020. “Sapiens”, https://www.sapiens.org/archaeology/archaeology-diversity/ (accessed: 30.07.2022)
Yamada, Shoji. (2002) What is Originality? Emulation and Creation in Japanese Culture. Japan: Kadokawa Shoten.
Zerubavel, Eviatar. (2003) Time Maps: Collective Memory and the Social Shape of the Past. University of Chicago Press.
