Vol. 24 (2022): Art: Integration and Dispersion

View Vol. 24 (2022): Art: Integration and Dispersion

Co-financed by the Minister of Culture and National Heritage from the Promotion of Culture Fund.

Co-financed by the Ministry of Education and Science, Republic of Poland.

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VOLUME EDITORS: Aneta Pawłowska, Paulina Sztabińska-Kałowska

Published: 2022-12-20

Full Issue

Articles

  • Continuity, Discontinuity, Fulguration – Philosophical Contexts of Changes in Art

    DOI: https://doi.org/10.26485/AI/2022/24/1
    Teresa Pękala
    9-25

  • Beyond the Principle of Unity

    DOI: https://doi.org/10.26485/AI/2022/24/2
    Anna Szyjkowska-Piotrowska
    27-37

  • Unity of Art in Adorno’s Aesthetic Theory

    DOI: https://doi.org/10.26485/AI/2022/24/3
    Rafał Czekaj
    39-50

  • Art History as a Thick Discipline

    DOI: https://doi.org/10.26485/AI/2022/24/4
    Marcin Bogusławski
    51-71

  • VR Art

    DOI: https://doi.org/10.26485/AI/2022/24/5
    Sidey Myoo
    73-85

  • Theoretical and Conceptual Approaches to Cyber Theatre

    DOI: https://doi.org/10.26485/AI/2022/24/6
    Carlos Dimeo, Anna Wendorff
    87-95

  • Anselm Kiefer: Collecting what is Broken. Works from the Chevirat Ha-Kelim (breaking of the Wessels) Cycle

    DOI: https://doi.org/10.26485/AI/2022/24/7
    Eleonora Jedlińska
    97-117

  • Dispersion of a Work of Art – Adam Marczyński, Tadeusz Kantor, Karol Broniatowski

    DOI: https://doi.org/10.26485/AI/2022/24/8
    Elżbieta Błotnicka-Mazur
    119-138

  • Strategies of Scattering and Dislocation of a Letter in Ewa Partum's Performances

    DOI: https://doi.org/10.26485/AI/2022/24/9
    Magdalena Howorus-Czajka
    139-156

  • The 21st-century Museum - in Search of a Space for the Integration of Image and Word

    DOI: https://doi.org/10.26485/AI/2022/24/10
    Paulina Długosz
    157-172

  • Art of the Americas Revisited: What Does it Mean to Decolonise a Museum?

    DOI: https://doi.org/10.26485/AI/2022/24/11
    Shikoh Shiraiwa, Olga Zabalueva
    173-195

  • Artistic Labyrinths and the Tower of Babel. A Comparative Look at the Exhibitions: Documenta 5, Les Immatériaux and Labyrinth – an Underground Space

    DOI: https://doi.org/10.26485/AI/2022/24/12
    Anna Dzierżyc-Horniak
    197-224

  • The Issue of (non)integration of Deaf and Hard of Hearing People in Relation to Art and Exhibitions in Poland

    DOI: https://doi.org/10.26485/AI/2022/24/13
    Agnieszka Kołodziejczak
    225-242

  • Heritology and Contemporary Architectural Theory. Universalism of Principles or Heterogeneity and Dispersion?

    DOI: https://doi.org/10.26485/AI/2022/24/14
    Julia Sowińska-Heim
    243-254

  • Discontinuity in the Development of Modern Cities in Rem Koolhaas' Theories

    DOI: https://doi.org/10.26485/AI/2022/24/15
    Cezary Wąs
    255-271

  • Style as a Reflection of Ideology of the Authorities

    DOI: https://doi.org/10.26485/AI/2022/24/16
    Maria Żychowska, Ion Sandu, Yuliа Ivashko, Andrii Dmytrenko, Oleksandr Ivashko, Oksana Morklyanyk
    273-297

  • Jesuit Art in the Modern Period as an Expression of the First Globalisation Dispersal of Iconographic Motifs and Consolidation of the Catholic Religion

    DOI: https://doi.org/10.26485/AI/2022/24/17
    Ewa Kubiak
    299-317

  • Street Art: between Integration and Dispersion. A Global Collective of Individualities

    DOI: https://doi.org/10.26485/AI/2022/24/18
    Agnieszka Gralińska-Toborek
    319-332