Vol. 25 (2023): How do artists think?

View Vol. 25 (2023): How do artists think?

Co-financed by the Ministry of Education and Science, Republic of Poland.

 03_znak_podstawowy_mono_biale_tlo_EN_res3.png

VOLUME EDITOR: Teresa Pękala

Published: 2023-12-13

Full Issue

Articles

  • Rethink thinking

    Teresa Pękala
    9-22
    DOI: https://doi.org/10.26485/AI/2023/25/1

  • To be wise or to think?

    Andrzej Ostrowski
    23-40
    DOI: https://doi.org/10.26485/AI/2023/25/2

  • Is Making Art a Way of Thinking?

    Anna Szyjkowska-Piotrowska
    41-60
    DOI: https://doi.org/10.26485/AI/2023/25/3

  • Genetic Criterion of Art

    Sidey Myoo
    61-72
    DOI: https://doi.org/10.26485/AI/2023/25/4

  • Experience of the "lower” senses – the artist's multisensory aisthesis

    Monika Błaszczak
    73-94
    DOI: https://doi.org/10.26485/AI/2023/25/5

  • Musical Thinking Revisited: An Interdisciplinary Approach

    Anna Chęćka
    95-114
    DOI: https://doi.org/10.26485/AI/2023/25/6

  • Paranoia-criticism as a surrealist variant of artistic thinking

    Agnieszka Kuczyńska
    115-125
    DOI: https://doi.org/10.26485/AI/2023/25/7

  • How designers think. Conceptual blending in design

    Hanna Bytniewska
    127-137
    DOI: https://doi.org/10.26485/AI/2023/25/8

  • Dialogues between artists and fashion

    Ewa Szkudlarek
    139-151
    DOI: https://doi.org/10.26485/AI/2023/25/9

  • Landscape Embodied (in and through Art)

    Beata Frydryczak
    153-165
    DOI: https://doi.org/10.26485/AI/2023/25/10

  • Thinking Landscape in Art

    Mateusz Salwa
    167-179
    DOI: https://doi.org/10.26485/AI/2023/25/11

  • How does the artist think? – an analysis of Grzegorz Sztabiński's works

    Paulina Sztabińska-Kałowska
    181-205
    DOI: https://doi.org/10.26485/AI/2023/25/12

  • Exhibition of works by Grzegorz Sztabiński at The University of Łódź, entitled hommage à Grzegorz Sztabiński – "continued...", as a contribution to the analysis of ways of looking at a work of art

    Aneta Pawłowska, Izabela Krejtz, Katarzyna Wisiecka
    207-227
    DOI: https://doi.org/10.26485/AI/2023/25/13

  • Transcendence in art and contemporary margins of transcendence in Grzegorz Sztabiński's "aesthetic thinking"

    Rafał Solewski
    229-240
    DOI: https://doi.org/10.26485/AI/2023/25/14

  • A Journey to Areas of Non-obviousness. Jerzy Bereś, Zbigniew Warpechowski and the Beginnings of Action Art in Poland

    Kazimierz Łyszcz
    241-254
    DOI: https://doi.org/10.26485/AI/2023/25/15

  • Aesthetic thinking according to Wisława Szymborska

    Irena Górska
    255-269
    DOI: https://doi.org/10.26485/AI/2023/25/16

  • In the reflection of an image – the works of Joanna Trzcińska

    Daria Rutkowska-Siuda
    271-283
    DOI: https://doi.org/10.26485/AI/2023/25/17

  • The art of Lazarus Takawira in the light of Frank McEwen's theory of inner vital forces

    Dariusz Skonieczko
    285-302
    DOI: https://doi.org/10.26485/AI/2023/25/18

  • What do artists teach us? Aesthetic experience and the multi-paradigm nature of contemporary art

    Ryszard Solik
    303-321
    DOI: https://doi.org/10.26485/AI/2023/25/19

  • Artists talk about war – an analysis using selected examples

    Dominika Łarionow
    323-334
    DOI: https://doi.org/10.26485/AI/2023/25/20

  • Writing Poetry after Bucha or on the Expression of the Inexpressible

    Rafał Czekaj
    335-344
    DOI: https://doi.org/10.26485/AI/2023/25/21

  • Analysis of fine-art photography techniques in representing the tragedy of war in Ukraine using Serhii Belinskyi's works

    Serhii Belinskyi, Yuliа Ivashko, Iryna Kravchenko, Andrii Dmytrenko, Iryna Dreval
    345-365
    DOI: https://doi.org/10.26485/AI/2023/25/22